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Bruce Cockburn Announces His First Studio Album In Seven Years – Bone On Bone

For Release On Vinyl, CD And Digital Download
September 15, 2017

BONE ON BONE

Bruce Cockburn - Bone On Bone

States I’m In – Slide Show YouTube Video
States I’m In – Soundcloud Stream (Album Version)
States I’m In – Spotify (Album Version)
Pre-order from True North Records
Pre-order on iTunes
Pre-order on Amazon
Bio – and – Bio – Bone On Bone google doc
Bruce Cockburn – At A Glance – or – At A Glance google doc
New Bruce Cockburn photo

TORONTO, July 12, 2017 – Bruce Cockburn has announced the September 15, 2017 release of his first full-length album in seven years, Bone On Bone (True North Records). The release coincides with his induction into the Canadian Songwriter’s Hall Of Fame, and the launch of his longest touring schedule in decades.

Few recording artists are as creative and prolific as Bruce Cockburn. Since his self-titled debut in 1970, the Canadian singer-songwriter has issued a steady stream of acclaimed albums every couple of years. But that output suddenly ran dry in 2011 following the release of Small Source of Comfort. There were good reasons for the drought. For one thing, Cockburn became a father again with the birth of his daughter Iona. Then there was the publication of his 2014 memoir Rumours of Glory.

Bruce Cockburn - promo photo by Daniel Keebler

“I didn’t write any songs until after the book was published because all my creative energy had gone into three years of writing it,” Cockburn explains, from his home in San Francisco. “There was simply nothing left to write songs with. As soon as the book was put to bed, I started asking myself whether I was ever going to be a songwriter again.”

Such doubt was new to the man who’s rarely been at a loss for words as he’s distilled political views, spiritual revelations and personal experiences into some of popular music’s most compelling songs. What spurred Cockburn back into songwriting was an invitation to contribute a song to a documentary film about the late, seminal Canadian poet Al Purdy and he was off to the races.

Bone On Bone, Cockburn’s 33rd album, arrives with 11 new songs and there’s a prevalent urgency and anxious tone to much of the album, which Cockburn attributes to living in America during the Trump era. But, more than anything, Bone on Bone amounts to the deepest expression of Cockburn’s spiritual concerns to date. The 12-time Juno winner and Canadian Music Hall of Fame’s “Forty Years in the Wilderness” ranks alongside “Pacing the Cage” or “All The Diamonds” as one of Cockburn’s most starkly beautiful folk songs. “There have been so many times in my life when an invitation has come from somewhere…the cosmos…the divine…to step out of the familiar into something new. I’ve found it’s best to listen for, and follow these promptings.

“Forty Years in the Wilderness” is one of several songs that feature a number of singers from the church Cockburn frequents, for the sake of convenience referred to in the album credits as the San Francisco Lighthouse “Chorus.” “Among other songs, they contribute call-and-response vocals to the stirring “Stab at Matter.” Other guests on the album include singer-songwriters Ruby Amanfu, Mary Gauthier, and Brandon Robert Young, along with bassist Roberto Occhipinti, and Julie Wolf, who plays accordion on “3 Al Purdys” and sings with the folks from Lighthouse, together with LA songwriter Tamara Silvera.

Produced by Colin Linden, Cockburn’s longtime collaborator, the album is built around the musicianship of Cockburn on guitar and the core accompaniment of bassist John Dymond and drummer Gary Craig. Also very much part of the sound is the accordion playing of Cockburn’s nephew John Aaron Cockburn and the solos of noted fluegelhorn player Ron Miles (check out his stunning work on the cascading “Mon Chemin,” for example).

Cockburn, who won the inaugural People’s Voice Award at the Folk Alliance International conference in February and will be inducted into the Canadian Songwriters Hall of Fame in September, continues to find inspiration in the world around him and channel those ideas into songs. “My job is to try and trap the spirits of things in the scratches of pen on paper and the pulling of notes out of metal,” he once noted. More than forty years after embarking on his singer-songwriting career, Cockburn keeps kicking at the darkness so that it might bleed daylight.

Bone On Bone Track Listing:

1. States I’m In
2. Stab At Matter
3. Forty Years In The Wilderness
4. Café Society
5. 3 Al Purdys
6. Looking And Waiting
7. Bone On Bone
8. Mon Chemin
9. False River
10. Jesus Train
11. Twelve Gates To The City

TOUR DATES

For more information, please contact:
Eric Alper, Publicity
True North Recordsv P: 647-971-3742
E: Eric@TrueNorthRecords.com

Photo by Daniel Keebler.

Press Release Bone On Bone

You may download the pdf as well.

Bruce Cockburn - Bone On Bone - Press Release pdf

Bruce Cockburn reflects on impact of Rocket Launcher

July 7, 2017 –

It has been 33 years since the release of Bruce Cockburn’s darkly infectious hit, If I Had a Rocket Launcher, a stirring commentary on the injustices the Canadian singer-songwriter experienced during a visit to Central America.

Today, the song remains as valid — and potentially misunderstood — as ever.

“A lot of people relate to it currently, in terms of Iraq or Afghanistan or Syria, any number of places,” Cockburn said in a recent interview in advance of his July 15 appearance at the Vancouver Island Music Festival in Comox.

“Unfortunately, we don’t seem to be running out of war and pain.”

Cockburn recalls the “scary” experience of playing the song for 2,000 Christians at a music festival in England in the 1980s, and everyone enthusiastically singing: “If I had a rocket launcher … some son of a bitch would die.”

For reasons like that, he is not comfortable with people singing along to the song.

“There’s nothing joyful or celebratory about it. It’s truthful, but that’s not a pleasant truth to me. I don’t like reliving it.”


Cockburn playing free show in Prince George tonight

July 4, 2017

Rock ‘n’ roll poets are few, but Bruce Cockburn is one of those rare legends of both instrument and word.

His songs have been quoted in books and movies and even in other songs (by U2 in God Part II). Cover versions of his songs have catapulted other acts to stardom (Barenaked Ladies). And his name has been evoked in global conversations for humanitarian efforts and social development.

Other stars like Jackson Browne, Jimmy Buffett and Emmylou Harris are outspoken fans. Steve Bell, one of Canada’s most notable Christian performers, did an entire album of Cockburn covers.

Cockburn is, by any estimation, a master of the guitar. He plays a finger-style that was honed on jazz at the Berklee School of Music but the raw material was carved from the blues found around his Ottawa upbringing, then steeped in international concepts he picked up along the way. When Cockburn travels, he always brings a little something home.

He also has a healthy appetite for poetry, from which his abundant lyrics emerge.

He’s written some lightning bolts, the most famous of which is “gotta kick at the darkness ’til it bleeds daylight” found tucked in the folds of his classic hit Lovers In A Dangerous Time.

It is hardly alone. Sizzling metaphors and turns of phrase engorge the sails of his music career.

He told The Citizen that he studies master poets and reads it for fun as well, but he knows his place on that bookshelf.

“In a way, writing songs gives you an out. You can get away with – and sometimes you’re obliged to get away with – things that wouldn’t really stand up on the page very well, because they have to go with the music,” he said.

“I can say yeah, I’m a pretty good guitar player for a songwriter, or I’m a pretty good songwriter for a guitar player. It’s not really poetry, what I do, but it’s so much like it I hold myself to that standard.”


A Conversation With .. Bruce Cockburn – FYI Music News

Jun 30, 2017 – by Bill King

We lived in what was stamped a “hippie haven” in the early seventies – Gothic Avenue, which borders Quebec Avenue – in High Park, Toronto. The brown rice/alternative lifestyle sanctuary was a haven for writers, musicians – in fact the late Billy Bryans lived only a few steps away and was playing in a band called Horn. Music was big fun and discovery. You could start in the early morning after a hit of a hash/tobacco joint and walk in on neighbours. Music played day and night, in fact it was all about checking out the person next door’s album collection.

The progressives blasted Emerson, Lake and Palmer – the countrified – Pure Prairie League – and the folkies loved their Tea for the Tillerman/Cat Stevens and a newcomer rising on the Canadian scene, Bruce Cockburn.

Even if you didn’t pay much attention you learned who the artists were were through peripheral listening. I had Bruce’s voice memorized as well as his fluent guitar playing. Cockburn stuck with you like he belonged in your life. Right time, right place!

The debut – Bruce Cockburn, produced by Eugene Martynec, came with a single that seemed to follow Canadians everywhere – Going to the Country. I know the inhabitants of Gothic Avenue were served a new side each year we survived the developers wrecking ball – High Winds, White SkySunwheel Dance, Night Vision, Joy Will Find a Way and In the Falling Dark.

Come September, Cockburn is inducted into the Canadian Songwriter’s Hall of Fame (CSHF)and releases his thirty-third recording, Bone to Bone. I connected with Bruce from his San Francisco home and collected his thoughts on a number of issues, episodes and events.

You have a couple of big events in September – induction into the Canadian Songwriter’s Hall of Fame and your 33rd recording – Bone to Bone. Your thoughts?

Any particular order? The exciting thing for me of course is the album – it’s been awhile since I’ve had an album out. I’m happy with the songs and how it came out. I’m anxious to get it out and get people to hear it. The Songwriter’s Hall of Fame thing is nice. There’s a lot of ‘halls of fame’ in the world. In one way, it’s delightful to be recognized by the scene – people who enjoy what I do and people who are close enough to it to appreciate what I do. That means a lot. I can also remember thinking, getting inducted into some kind of hall of fame means you should already be dead or about to be. I don’t feel like that now. It feels pretty good. I also remember being somewhere and there was the towing and removal hall of fame – every industry has one. This is a national one and a big deal – it’s nice and I’m very appreciative.

It’s about songwriting too – something very special.

It’s nice to be recognized by the people who understand what you do.

You have a healthy attitude about your career. It’s spanned decades and there is no reason to retire – just keep making music..

Yes – as long as I can keep doing it, that’s what I want to do. I don’t take it for granted or assume my feelings would ever change – it could, but hasn’t so far. I like what I do and I like performing the songs I write for people. It’s the way they get to hear them best and the way I get to share them in the presence of actual human feedback. As long as I’m physically able to do it, I expect I will.

Do you still enjoy your time on stage?

I’ve always been terrified on stage and that hasn’t really changed that much. Terrified would be overstating now but back in the beginning it was terrifying, now it’s just kind of stressful. When you perform your songs to actual human beings in a live situation, that’s where the song really lives and becomes meaningful. If nothing else, the experience of being there focused on the same thing with a whole bunch of people is a pleasant sensation. Then afterwards, it feels good for a few minutes and then you start thinking about all of the things you did wrong and then it takes a day or two before you start feeling good about it again. Along with the precarious situation is the idea of making a living without having a boss. Being able to travel – some people would find it as having an adventurous lifestyle. It’s a great thing – a gift and not everybody gets to do it.





5 things you missed at the 2017 Junos Songwriters’ Circle – audio

April 6, 2017 – The JUNO Songwriters’ Circle has been recorded. You can listen to the audio.

The Junos Songwriters’ Circle is always a lot of fun, with big-name and newer artists sharing the stage to tell the stories behind their songs before playing them.

At this year’s Junos, Bruce Cockburn hosted the Sunday afternoon event at Ottawa’s National Arts Centre in two sessions: first up was Colin Linden, Lisa LeBlanc and Wintersleep’s Paul Murphy; then Chantal Kreviazuk, Daniel Caesar and Donovan Woods took over.

The show was a delight, and if you couldn’t attend, fear not: you can listen to both sets here.

Below, read on for five things you missed at the songwriters’ circle — aside from the music.

1. Everyone’s love for Bruce Cockburn

“Many of the greatest times of my life have been standing two or three feet away, to Bruce Cockburn’s right,” joked Colin Linden after Cockburn kicked off the set with “Lovers in a Dangerous Time.”

By the end of the afternoon, Cockburn had made both Linden and Kreviazuk cry with his performances — “Is there a tissue?” Kreviazuk asked — and invited LeBlanc to teach his five-year-old daughter to play “You Look Like Trouble (But I Guess I do Too)”.

“I’ve had nightmare dreams about Bruce Cockburn singing that [‘Wondering Where the Lions Are’], Chantal Kreviazuk singing that [‘Surrounded’], and then having to go after that, it’s like literally terrifying,” confessed Woods before his first song. The whole thing was just a big love fest.

To continue reading, visit this link.

Credit: CBCMusisc.ca

Related Links: Jewel of the Junos – Songwriters’ Circle


Songwriters' Circle - backstage view - photo Jack Ross
Songwriters’ Circle – backstage view – photo Jack Ross

‘Jewel of the Junos’ – Songwriters’ Circle

April 3, 2017 –

Bruce Cockburn takes part in Juno Songwriters' Circle - photo Patrick Doyle - The Ottawa Citizen
Bruce Cockburn takes part in the Juno Songwriters’ Circle at the NAC in Ottawa on Sunday, April 2, 2017. Patrick Doyle / The Ottawa Citizen

Every song has a story.

Singer-songwriter Bruce Cockburn came home to Ottawa Sunday to host what’s dubbed the “jewel of the Junos” at the National Arts Centre, bringing together established stars and up-and-comers to explore what he called the “mystery” of the craft.

“Nice to have an excuse to be back in Ottawa,” the capital-born Cockburn, 71, told the sold-out crowd at Southam Hall, which greeted him with a standing ovation before he’d sung a note.

With him for the 2017 Juno Songwriters’ Circle were nominees including Chantal Kreviazuk, Colin Linden and Wintersleep’s Paul Murphy plus the powerful singer-songwriter Donovan Woods, Acadian newcomer Lisa LeBlanc and 21-year-old R&B phenom Daniel Caesar.

“I don’t get here often enough,” Cockburn said, adding that he’d decided to perform some “old ones.”

Cockburn reached back into his catalogue to play hits like Lovers in a Dangerous Time, inspired by the “innocent and lovely” fumblings towards romance of his then pre-teen daughter, now a mother of four, amid the Cold War, AIDS crisis and environmental degradation of the 1980s.

He launched into the beautiful, menacing first bars of If I Had a Rocket Launcher after explaining its inspiration was hearing the first-hand accounts of Guatemalan refugees who’d fled savage attacks, the song’s helpless rage amplified by Linden’s haunting slide guitar.

Bruce Cockburn takes part in the Juno Songwriters Circle-2-photo - Patrick Doyle The Ottawa Citizen
Bruce Cockburn takes part in the Juno Songwriters’ Circle at the NAC in Ottawa on Sunday, April 2, 2017. Patrick Doyle / The Ottawa Citizen

Another classic song and Cockburn hit was born in Ottawa. It was the late 1970s and Cockburn’s cousin, then a Canadian spy, told him over a dinner in Hull that amid the skirmishes of China and Russia, they could all wake up tomorrow to the end of the world.

“This is a guy who knew what he was talking about — it kind of spoiled dessert,” Cockburn said.

But the next day,”Ottawa was still here,” and as he drove along the Queensway, Cockburn began Wondering Where the Lions Are, which became a Top 40 hit in the U.S. and so familiar to his fans much of the NAC crowd sang along word for word.

Colin Linden and Bruce Cockburn take part in the Juno Songwriters Circle - photo Patrick Doyle The Ottawa Citizen
Colin Linden and Bruce Cockburn takes part in the Juno Songwriters’ Circle at the NAC in Ottawa on Sunday, April 2, 2017. Patrick Doyle / The Ottawa Citizen

Bruce introduces Buffy Sainte-Marie as the recipient of Humanitarian award – JUNO 2017

April 1, 2017 – Buffy Sainte-Marie was presented with the Alan Waters Humanitarian Award at the 2017 JUNO Awards by Bruce Cockburn.

Bruce Cockburn introduces Buffy Sainte-Marie - JUNO2017
Bruce Cockburn introduces Buffy Sainte-Marie – as Alan Waters Humanitarian Award winner – JUNO2017

Here is the video – presentation starts at 3:27:28-

Bruce Cockburn presenting Buffy Sainte-MarieHumanitarian award JUNO - photo Alan Neal
Bruce Cockburn presenting Buffy Sainte-Marie with Alan Waters Humanitarian Award – JUNO 2017- photo Alan Neal
Bruce Cockburn presenting Buffy Sainte-Marie Humanitarian award JUNO 2017 - photo Alan Neal
Bruce Cockburn presenting Buffy Sainte-Marie with Alan Waters Humanitarian Award – JUNO 2017 – photo Alan Neal
Colin Linden - Buffy Sainte-Marie - Bruce Cockburn - JUNO 2017 - photo -True North Records
Colin Linden – Buffy Sainte-Marie – Bruce Cockburn – JUNO 2017 – photo – True North Records

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