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Crowing Ignites – Bruce’s 34th album – all instrumental

Bruce Cockburn’s 34th album
Crowing Ignites
True North Records
Release date: September 20, 2019

Listen to / share “Blind Willie” from Crowing Ignites and pre-order here.

In 2005, Bruce Cockburn released Speechless, a collection of instrumental tracks that shone the spotlight on the singer-songwriter’s exceptional acoustic guitar playing. The album earned Cockburn a Canadian Folk Music Award for Best Instrumentalist and underscored his stature as one of the world’s premier pickers.

Bruce Cockburn's Crowing Ignites album cover

Already, The New York Times had credited Cockburn with having “the hardest-working right thumb in show business,” adding that he “materializes chords and modal filigrees while his thumb provides the music’s pulse and its foundation—at once a deep Celtic drone and the throb of a vigilant conscience.” Acoustic Guitar magazine was similarly laudatory in citing Cockburn’s guitar prowess, placing him in the prestigious company of legends like Andrés Segovia. Bill Frisell, Django Reinhardt and Mississippi John Hurt.

Now, with the intriguingly titled Crowing Ignites, Cockburn has released another dazzling instrumental album that will further cement his reputation as both an exceptional composer and a picker with few peers. Unlike Speechless, which included mostly previously recorded tracks, the latest album—Cockburn’s 34th—features 11 brand new compositions. Although there’s not a single word spoken or sung, it’s as eloquent and expressive as any of the Canadian Hall of Famer’s lyric-laden albums. As his long-time producer, Colin Linden, puts it: “It’s amazing how much Bruce can say without saying anything.”

The album’s title is a literal translation of the Latin motto “Accendit Cantu” featured on the Cockburn family crest. Although a little puzzling, Cockburn liked the feeling it conveyed: “Energetic, blunt, Scottish as can be.” The album’s other nod to Cockburn’s Scottish heritage is heard on “Pibroch: The Wind in the Valley,” in which his guitar’s droning bass strings and melodic grace notes sound eerily like a Highland bagpipe. “I’ve always loved pibroch, or classic bagpipe music,” says Cockburn. “It seems to be in my blood. Makes me want to sip whisky out of a sea shell on some rocky headland!”

While Cockburn reconnecting with his Gaelic roots is one of Crowing Ignites’ more surprising elements, there’s plenty else that will delight followers of his adventurous pursuits. Says Linden, who’s been a fan of Cockburn’s for 49 years, has produced 10 of his albums and played on the two before that: “Bruce is always trying new things, and I continue to be fascinated by where he goes musically.”

The album is rich in styles from folk and blues to jazz, all genres Cockburn has previously explored. But there are also deepening excursions into what might be called free-form world music. The hypnotic, kalimba-laden “Seven Daggers” and the trance-inducing “Bells of Gethsemane,” full of Tibetan cymbals, chimes and singing bowls, are highly atmospheric dreamscapes that showcase Cockburn’s world of wonders—and his improvisational gifts on both 12-string and baritone guitars. Each track was wholly created in the makeshift studio he and Linden put together in a converted fire station in Cockburn’s San Francisco neighbourhood.

Singing bowls, Cockburn explains, are an endless source of fascination to him, dating back to a trip he took to Kathmandu, as seen in the documentary Return to Nepal. There, Cockburn stumbled on a man selling the small inverted bells sometimes used in Buddhist religious practices and became instantly captivated by their vibrational power. “I had no particular attraction to them as meditation tools or anything,” says Cockburn. “I just thought they had a beautiful sound.” After buying half a dozen in Kathmandu and more since, he now has a sizeable collection.

Bruce Cockburn - March2019 - recording - photo Daniel Keelber

Two tracks on Crowing Ignites had their origins elsewhere. “The Groan,” a bluesy piece with guitar, mandolin and some collective handclapping from a group that includes Cockburn’s seven-year-old daughter, Iona, was something Cockburn composed for a Les Stroud documentary about the aftermath of a school shooting and the healing power of nature. And Cockburn wrote the jazz-tinged “The Mt. Lefroy Waltz” for the Group of Seven Guitar Project on an instrument inspired by artist Lawren Harris and custom-made by luthier Linda Manzer. It was originally recorded, with cornet player Ron Miles, bassist Roberto Occhipinti and drummer Gary Craig, for Cockburn’s 2017 album Bone on Bone, but not released until now.

Cockburn doesn’t set out with any particular agenda when composing an instrumental. “It’s more about coming up with an interesting piece,” he says. “Who knows what triggers it—the mood of the day or a dream from the night before. Often the pieces are the result of sitting practicing or fooling around on the guitar. When I find something I like, I work it into a full piece.”

“Bardo Rush,” with its urgent, driving rhythm, came after one such dream, while the contemplative “Easter” and the mournful “April in Memphis” were composed on Easter Sunday and Martin Luther Day respectively. “Blind Willie,” named for one of Cockburn’s blues heroes, Blind Willie Johnson, features a fiery guitar and dobro exchange with Linden (Cockburn has previously recorded Johnson’s “Soul of a Man” on Nothing But a Burning Light). And the idea for the sprightly “Sweetness and Light,” featuring some of Cockburn’s best fingerpicking, developed quickly and its title, he says, became immediately obvious.

Meanwhile, “Angels in the Half Light” is steeped in dark and light colors and conveys ominous shades as well as feelings of hopefulness, seemingly touching on both spiritual and political concerns—hallmarks of Cockburn from day one. “It’s hard for me to imagine what people’s response is going to be to these pieces,” he says. “It’s different from songs with lyrics, where you hope listeners will understand, intellectually and emotionally, what you’re trying to convey. With instrumental stuff, that specificity isn’t there and the meaning is up for grabs. But I’m glad if people find a message in the music.”

More than 40 years since he embarked on his singer-songwriter career, Cockburn continues pushing himself to create—and winning accolades in the process. Most recently, the Order of Canada recipient earned a 2018 Juno Award for Contemporary Roots Album of the Year, for Bone on Bone, received a Lifetime Achievement Award from SOCAN, the Peoples’ Voice Award from Folk Alliance International and was inducted into the Canadian Songwriters Hall of Fame in 2017. Cockburn, who released his memoir, Rumours of Glory, and its similarly titled companion box set the same year, shows no sign of stopping. As his producer-friend Linden says: “Like the great blues players he admires, Bruce just gets better with age.”

~ True North Records. Photo Daniel Keebler. Cover art Michael Wrycraft.



Songs at the Center – Master Series Episode

Songs at the Center - Master Series Episode

10 June 2019 – Bruce taped a wonderful show on 24 October 2018 while in Cleveland for an American Public Television show called Songs at the Center.

It was taped at the Beck Center for the Arts in Lakewwod, Ohio. He played three songs: Forty Years in the Wilderness, If I had a Rocket Launcher and The Gift. The program is 27 minutes long and includes interview segments by Eric Gnezda.

You can view the episode here.

With thanks to Bernie Finkelstein and Daniel Keebler.

Bruce Cockburn - Songs at the Center


Recording Celebration

On Sunday March 17 Bruce started recording his latest instrumental album in San Francisco with Colin Linden producing.

This past week, April 17, they finished the production at Colin’s studio in Nashville.

Celebration !!

Bruce Cockburn & Colin Linden - San Francisco - 22mar19 - photo - Keebler
Bruce Cockburn & Colin Linden – San Francisco – 22mar19 – photo – Keebler

An all new instrumental album, Crowing Ignites, is completed with tentative release date in September 2019.

Bernie Finkelstein - Bruce Cockburn - Colin Linden - 17april2019 - Nashville
Bernie Finkelstein – Bruce Cockburn – Colin Linden – 17april2019 – Nashville

Rise Up – Cockburn highlights series of events commemorating 1919 strike

Cockburn highlights series of events commemorating 1919 strike
by Scott Billeck

Rise UP

A Canadian music legend is among several artists who will headline a free concert to help commemorate the centennial one of the country’s largest and most influential labour movements.
Rise Up Smaller Poster

For 40 years, Bruce Cockburn has been writing and signing about the human experience. In June, the multi-time Juno Award winner and member of the Canadian Music Hall of Fame will join Grammy winner and feminist icon Ani DiFranco along with several others for Rise Up 100: Songs for the Next Century Concert, one of four events being put on by Manitoba’s unions to celebrate the 100th anniversary of the Winnipeg General Strike of 1919.

“We want to welcome people of all generations, all backgrounds, all abilities — everybody in our city — to join us and celebrate the Winnipeg General Strike together, with music, as a community,” said Winnipeg Folk Festival executive director Lynne Skromeda at a launch event on Tuesday. “Folk music has long been tied to the labour movement, advocating for social justice and providing a sense of connection to one another through divisive times, and we need this connection now more than ever.”

The free concert will take place in Old Market Square on June 8 between 2 p.m. and 11 p.m.

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The Al Purdy Songbook

The Al Purdy Songbook
by Songbook Producer Brian D. Johnson

Al Purdy Songbook cover

November 2018 – The Al Purdy Songbook celebrates the work of an iconic Canadian poet. Along with its sister project, the film “Al Purdy Was Here,” it was inspired by campaign to save and restore Purdy’s A-Frame home as a writing retreat for a new generation of artists.

“Bruce Cockburn was one of several contributors already deeply familiar with Purdy, and he embraced the challenge as if it were something he’d been itching to do for years. In 3 Al Purdys, a rousing six-minute epic, Bruce lets Purdy’s words come tumbling through the verses as if poured from a pitcher of draft. A generous portion of his lyrics come straight from Transient, Al’s 1967 poem about hopping boxcars on the way to Vancouver as a teenager. The song’s refrain—I’ll give you 3 Al Purdys for a twenty-dollar bill—was inspired by Bruce’s distant memory of a poet selling books on a Toronto street corner. That’s not something Purdy was ever known to have done, but it evokes the scrappy persona of a poet who could connect with the street. Bruce is the only Songbook artist who tried to capture Al’s persona in his voice, adopting a gruff swagger quite unlike anything we’ve heard from him before. This was the first song Bruce had written in two-and-a-half years, ever since becoming a father, and it kindled a new burst of songwriting that led to his 33rd album, Bone on Bone and 13th Juno Award.”

To continue reading – borealisrecords.com




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